Besides losing loved ones, the burden of constant shoots and media attention took a toll on her family life as well. If it’s true that Pakistani drama ratings are derived from how hard someone can cry, Mahira was the best choice for the role of Khirad.
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“He would sit with me during the times I would doubt myself, and tell me, ‘You have no idea what you can do’.”ĭespite all this support and encouragement, the months spent shooting the serial were some of the most trying for Khan personally.
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Mehreen Jabbar taught her how to discipline herself as an actor, but it was Khoosat who gave her the faith. On the sets of Bol, Shoaib Mansoor didn’t give her much direction, preferring to let her be. “I still call up Sarmad or Fawad or my producer and we laugh,” she says with a smile, “and we’re like ‘Dude! Can you imagine? Can you actually imagine?’”īefore “Humsafar”, Mahira was lost as an actor. When the show swept the ratings, Khan was in shock. While making “Humsafar”, Mahira and the director never spoke about the people who would watch it, and whether they would like it or not. It was the kind of success she hadn’t anticipated, especially because she had already worked in much larger productions like Shoaib Mansoor’s blockbuster Bol, and with award winning directors like Mehreen Jabbar, on drama serial “Neeyat”. Mahira is simply Khirad, the small town girl with stellar principles that she portrays in “Humsafar”. And we’re not talking about just any big, but instant-recognition-by-Pakistanis-world-over, Bollywood-offers-on-the-table, moral-policing-aunties-scrutinising-her-every-move big. Mahira has struck it big with her latest drama serial “Humsafar”, based on a novel written by Farhat Ishtiaq and directed by Sarmad Khoosat, creator of sitcom “Shashlick”. I’ve been struggling to give time to my family, and I’ve seen this sudden fame which I just can’t really sort of enjoy,” she says.Ī pretty heavy statement coming from someone who has recently hit a career jackpot most actors can only dream about. “I’ve lost two very special people in my life and I’ve seen two friends go through the worst times of their lives because of it. “The past year has been nuts,” she explains with a sigh. Or to just shed the facade and tell it how it really is - which is, in all honesty, not that great. He assures her there will, and scurries off with a goofy smile on his face.įor the first few minutes of our conversation, it is obvious that Khan goes through a silent struggle with herself, of whether she should talk about what she “should”, the way Pakistani girls do to convince boys they are good girls, parents that they are innocent, and journalists that they are cool and confident.
She says she’s starving, and orders the first sandwich the waiter recommends - all she wants to know is whether there will be ample fries with her meal. She is not one of those women who look as if they’ve just stepped out of a salon: her long hair is uncombed, she doesn’t have a speck of makeup on her porcelain skin, and her eyebrows are still trade markedly un-plucked. She is smiling, but there is something startlingly vulnerable about her. In fact, she almost seems to shrink into her clothes, a seven-year-old peach-pink georgette kurta.
Despite her raw beauty, she is just not the kind of celebrity who demands to be noticed, someone who sits with the air of entitlement one would assume an immensely popular actor would have. Mahira is seated in a corner booth, her clear hazel eyes scanning the menu. “But I think one that really stands out, is that I’m desperate… willing to do almost anything to find an answer to the questions that I have.”
“These days the pages have so many emotions crammed in them,” says the actress, sitting in a cosy café in Zamzama on a chilly Karachi evening. It is in these pages this former bubbly VJ, and now breakthrough star of the most popular drama serial in Pakistan, is struggling to figure out what on earth is going on. In her journal she chronicles the thoughts that spill out of her head at an excessive, incontrollable rate. “You never know what can happen” she says. Everyday she fills page after page of her journal, writing letters to her two and a half-year-old son Azlan…just in case she dies, you know.
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